Dating delft tiles

Lovely antique Delft tile dating from the end of the 17th century, depicting two men who are about to go fishing. Each man is holding a fishing rod and a bucket is shown in wish the fish will be kept. The tile is decorated with 'spider' corner patterns and is in a wonderful condition. Free shipping on this product Full refund on product return.

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Showcase antique Dutch Delft tiles

Other creditcards such as American Express can also be used when selecting PayPal in the checkout menu no account required. Tile murals and Wall tiles can be ordered by requesting a quote. Depending on the volume and shipping location, we will send you a customized offer completely tuned to your preferences. Two typical tile backs with grooves: Tiles between and the middle of the 17th century were in comparison with younger tiles generally really thick, caused by the method of production.

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Therefore they were also heavy and resistent. Tile from the period - with typical thickness about 1,1 cm for in the midth c. According to quality and production facility Dutch tiles mainly maintained this thickness between 0,7 and 0,8 cm since the 18th century into the 20th century. Tiles were coloured in yellow, orange, blue, green, red, violet and white, so-called polychrome tiles.

In the same period tiles were also painted in the typical dark blue or more seldom brown.

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  4. During the further 17th century the painters detached more and more from the polychrome patterns and tried to create their own designs. Hereto belongs above all a light-blue well-known as the "Delft blue" , by imitating the at this time popular light-blue of the Chinese Ming porcelain.

    Plain white, c. 1900

    From the midth century the blue painting of tiles became more and more popular so-called monochromy, according to the taste of the early baroque time. At the end of the 17th century again the dark blue was more popular closely to the colour of the Chinese porcelain of the Kang-Hi time. The so-called manganese colour a light purple appeared strongly in the late 18th century the time of rokoko. This colour accorded — in contrast to other kinds of blue — to the contemporary taste. Some times both colours can be found on one tile, whereby the earliest exemplars, starting from the midth century, are quite rare look fig.

    The predominantly monochrome coloured tiles of the 19th and 20th century are kept in blue, from light to dark, as well as manganese with a partly reddish or brownish dash see for a rare example of a single colour tile, painted in green, - , the link "Production process" and there the link "Colours". Collateral to the changes of the colour the overglaze changed, too. The kwaart, which melted into a clear transparent layer, made the colours look clear and brigth and the surface shining.

    Antique Dutch Delft tile with two polychrome flowers, 17th century | Regts - Antique Tiles

    You can see this effect, which intensifies the colours on tiles in good condition. By imitating the imagin of Chinese porcelain the white tin-glaze got a light-blue touch in the first half of the 17th century. Flower vase; polychrome; - , fig.

    Delft Netherlands tile

    Double tulip, polychrome; - , fig. That process did'nt change hardly until today. Design of motif and border. While tiles until the end of the first half of the 17th century had complex, over the total center painted central motifs, partly in connection with wide borders and large corner motifs,. The reason was on one hand to keep up the increasing demand, and on the other hand to decrease the costs of production. Tiles were now mainly monochrome, the borders around the central motifs were gone, and the patterns of the corner motifs got smaller, too. Very little painting of a horseman in front of a farm-stead; corner motif tiny spider; - ; blue; 13,0 x 13,0 x 1,1 cm; in which the central motif is painted very fine.

    When at the beginning of the 18th century the technique of production enabled savings as well of clay, overglaze because the second glazing-cycle was not needed any longer as of colour pigments, again the central motif was mostly painted over the hole center of the tiles. A similar change took place by the patterns of painted borders around the central motif.

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    Between and the first half of the 17th century the Italian circle band and the Spanish Moorish diamond were predominant. Starting from already archway- and baluster-borders were used. Inside the borders the central motif were painted, namely portraits, soldiers, animals, flowers or fruits. Two tiles with baluster border: The latter ones connected geometric pattern of crosses or stars renaissance motifs.